Stop motion animation is a filmmaking technique that has been around for years. But just what is stop motion animation?
Stop-motion is the process of animating an inanimate object like a doll or action figure. But you can animate anything using stop motion, like food or office supplies, even people!
The History of Stop-Motion
The origin of stop motion dates back to the golden age of Hollywood. The first time the technique was used was in a film called The Humpty Dumpty Circus (1897), where a toy circus and animals come to life on screen. While the technique was used periodically, it wasn’t until after animator Willis O’ Brien animated a giant gorilla in the original King Kong (1933) that stop-motion animation started to really make an impact in the world of film. It has really experienced a re-birth in the past twenty tears, thanks to movies like The Nightmare Before Christmas. (1993)
Creating Stop-Motion Today
Due to the fact stop-motion takes lots of time and effort to create—And that many studios prefer to use computers to animate characters—it’s still a popular art and filmmaking form.
Most recently, the animated films ParaNorman (2012) and Frankenweenie (2012) used stop-motion and so does the Cartoon Network hit Robot Chicken.
Of course, probably the most popular and most well-known use of stop-motion movie is in Tim Burton’s classic, The Nightmare Before Christmas.
Chris Butler is the director of the ParaNorman, which was nominated for a Oscar. Butler’s Laika Studios is located in the small village of Hillsboro, Oregon. “People really do love this medium,” he told the Los Angeles Times, “They respect it as an art form…They understand how much of a Herculean effort it is to make these movies — the hands-on, workshop-full-of-crazy-people aspect of it.”
Making it Move
Although it’s a relatively simple process, creating stop-motion animation takes a lot of time. To do it, animators first take a single still image of the subject, then move it slightly, then take another still image, then move the subject again, then take another image…
The process continues until enough images have been captured to create motion. Then in post-production (after the images have been captured) the still images are edited together and when played back at full speed make the subject look like it’s moving.
Microsoft used “claymation,” a form of stop-motion animation to create this Xbox commercial:
Here’s a behind-the-scenes look at how it was created:
Becoming an Animator
Today stop-motion animation is used for movies, commercials and more. Learning how to create stop-motion animation is as simple as taking one of DMA’s animation summer camps, like hundreds of kids did this past summer.
This amazing Skittles Short film was created by a student in DMA’s animation camp:
In DMA’s animation camp you’ll learn first hand how to shoot, animate and edit a stop-motion movie using state-of-the-art technology and learn the same techniques used by professional animators to make award-winning films like The Nightmare Before Christmas. DMA only asks one thing: Remember us in your Oscar acceptance speech.
News from HQ by Seamus Harte
It’s great when people recognize you for something you enjoy doing and do well. Digital Media Academy has once again been recognized for its world-class filmmaking program.
Digital Media Academy’s Documentary Filmmaking camp teaches future (and existing) filmmakers how to use the medium of film to tell a story. With instructors that are both award-winning filmmakers and educators with working experience in the industry, DMA’s filmmaking course gives you the chance to get first-hand experience from professionals.
10 Best Documentary Filmmaking Programs
Ranked as one of the 10 Best Academic Programs for Documentary Filmmakers, DMA is in good company. Schools like Duke, University of Florida, NYU, and George Washington also made the list.
DMA doesn’t offer a Master’s Degree for attending filmmaking camps, but they do offer professional, top notch instruction. In fact DMA has been cited for it’s ability to provide a “quick but comprehensive taste of the craft.”
If you’re about to or have graduated high school and are thinking about attending a 4 year college to pursue a career in movie making, you should check DMA. They’ll help you get a head start on making your passion your career.
News from HQ by Philip Harding
Written by Brian Rothschild of the John Lennon Bus
Experience the ultimate music video summer camp. Bring your imagination, and leave with the skills you need to create professional music and video projects with ease, from start to finish. The Lennon Bus has teamed up with the Digital Media Academy to provide a new course based on the techniques taught daily on The John Lennon Educational Tour Bus. Using the latest audio, video and music gear, you’ll work with a diverse group of talented students and professionals to edit and create original music and videos. Make beats, write a song, record audio, shoot video, edit like the pros and author your own DVD. No experience needed; this course is for anyone interested in learning the basics of music and video creation.
News from HQ by Philip Harding
While MTV isn’t showing music videos anymore, music videos still play a key role in promoting a song. Instead of dialing in MTV, Youtube, Vimeo and Vevo are the way to bring music to life. In fact, PSY’s “Gangham Style” became a YouTube sensation long before it became a chart hit.
Digital Media Academy is partnered with The John Lennon Educational Tour Bus to offer the Academy of Music Video & Production! You’ll learn the skills used by music video directors and artists to make the perfect music video. The only limit is your creativity!
We’ve all been there, watching a film when an amazing special effect blows your mind, leaving you to wonder:
“How did they do that?”
Well, several years back, I started asking fellow editors and educators this very question – and again and again I heard the same response: After Effects. Want to motion track? After Effects. Want to green screen? After Effects. Want color correction? After Effects. Want an intergalactic light saber fight scene with explosions and an amazing 3D camera move? After Effects.
Essentially, when looking back at my early AE efforts, I’m a bit embarrassed to admit that I slowed my own progress by forming some common AE misconceptions. So, for those of you just setting out with AE (or hoping to some day), following these AE tips will make your experience much better:
Tip #1: Master your DV basics first. As a longtime editor, this was the only thing I had going for me when I started with AE – and probably the only thing that kept me going early on. Basically, if terms like “24fps,” “interlacing,” “NTSC” or “compression” are entirely new to you, help yourself out by visiting some useful websites that define such basic DV terms and concepts:
For just the bare bones of DV, you can start with the Wikipedia DVT overview.
For the hardcore user, check out some extremely thorough Adobe DV primers.
Tip #2: Know what After Effects is (and is not) for. Think of AE as a dedicated special effects application for individual shots and short animations – and here’s the critical part: you typically perfect these shots in AE and then export them to your preferred editing application. In other words, AE is a great enhancement to (but not a replacement of) your editing software. This is really important because AE is not really designed to: capture footage, make a bunch of tight cuts, work with transitions, etc. as you would with Final Cut, Premiere Pro, etc. Because AE is dedicated to special effects, it is appropriately different in many respects and truly does have a logical structure and work flow. Embrace these differences (and the rationale for them) and you’ll be far less likely to fall into the common trap of wondering, “Why doesn’t AE work like my editing software?”
Tip #3: Learn just enough of the AE keyboard shortcuts to be dangerous…and realize that this does not mean that many. While certain shortcuts are essential to AE, most are simply there to save you from a deep dive into the pull-down menus and an extra click or two. Do not feel that you need to know a hundred of these to be an AE editor. But it certainly helps to know some of them, especially these:
When getting started:
With a new project, import a video clip and drag it to the comp timeline. This is often preferable to creating a composition first because it auto-creates a new composition that matches the chosen video clip’s duration, scale, frame rate and pixel ratio.
When making edits in the composition timeline:
Page Down moves the current time one frame forward.
Page Up moves the current time one frame backward.
; toggles the view to a full zoom in or out at your current time.
Ctrl + [ trims the “in” point(s) of the selected layer(s) to the current time - and as you might expect, it has a twin.
Ctrl + ] trims the “out” point(s) of the selected layer(s) to the current time.
Ctrl +D duplicates selected layers or effects.
Ctrl + Shift + D duplicates and cuts a layer at the current time. It’s as close to a razor tool as you will find in AE.
U shows only the keyframed attributes of a selected layer.
Alt + Drag selected keyframes stretches (or squeezes) the distribution of selected keyframe groups uniformly. This can save a ton of time when retiming a complex multi-layered effect. Start simple, and I mean super-simple.
Tip #4: Take a class at a great school. The incredible range of AE means that its structure has a corresponding range of complexity – which can be tricky to figure out. I am all for books, Web-based tutorials, DVDs, etc., but there is simply nothing like project-based, hands-on learning, like students get in After Effects courses at Digital Media Academy. Moreover, having learned differing approaches from so many AE experts over the years, I have worked hard to come up with a streamlined approach to learning AE that is enjoyable, easy, and avoids the mistakes that so many of us have made when first starting out.
I’ve come a long way from my initial problems, and am proud to now say that After Effects is now my favorite application to use and to teach. Even though I took the long way to get there, I am now completely psyched to have clients pleased with AE results…and students creating dazzling special effects.
Written by Kevin McMahon
Last year’s Documentary Filmmaking class was a fantastic experience for me as a teacher. The students included:
• a businesswoman from Boston,
• a sociologist from Japan,
• a teenager from France,
• a flight attendant from Miami,
• a scientist from Texas,
• and a teacher from South Carolina
Imagine what you could learn from a group like that!
Here’s a small snippet from the course. Since I’m an editor I can’t resist an example of phenomenal documentary editing. Have a look at the following clip, from the documentary Carrier, about the aircraft carrier USS Nimitz.
So first, one of the pilots introduces the idea that everybody on the carrier needs to do their job correctly, at the right time, for the carrier to function properly. And that sets off this montage of flight deck operations, set to—wait, can it be?—the “March of the Wooden Soldiers” from Tchaikovsky’s “The Nutcracker.”
Notice how similar motions are grouped together—there’s a beautiful series of circular motions, for instance. And at the end, somebody declares “it’s like a ballet.” Which makes perfect sense, since the filmmakers have already make that perfectly clear from a visual standpoint! But then they extend the metaphor to other areas of the ship, particularly the people feeding the ship and cleaning it up.
This is actually an important priority of the filmmakers: making the viewers understand that an aircraft carrier isn’t all about the planes and the flight deck, but that there are people greasing the cables and cleaning the toilets as well. And they’ve done a great job of conveying that visually at every opportunity.
Want more? Well, you’ll have to come to Stanford. Not a lot of people regret spending a week in Northern California, and I’m sure you’ll learn a tremendous amount and enjoy yourself as well!
See what teens made at Digital Media Academy film camp this summer in Chicago!
This video was made by shooting hundreds of individual JPEG photos and piecing/editing them together in Final Cut Pro. This was made during DMA Film Camp in Chicago this past summer in the Teen Film Editing and Filmmaking Course. Learn how to make a movie like this at a DMA course this summer!