Posts Tagged digital photography and photoshop course


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By Mike Johnson, Lead Digital Photography & Photoshop Instructor, DMA @ UC San Diego

Iain Macmillan had ten minutes one August morning in 1969 to take the iconic cover shot of the Beatles crossing Abbey Road.  Out of half a dozen frames, number five became the cover.  He used film and he didn’t have Photoshop.  What would that image have looked like if he’d had today’s digital tools?  Probably not much different.
Today, a creative mind armed with a digital camera and Photoshop are capable of creating virtually any image imaginable.  But will others believe it?  One of the greatest challenges for the photographer in post-production is to exercise restraint on the computer.  As a judge of several photo competitions, the easiest images for me to pass over have been those that were over-processed in Photoshop.  Likewise, there is no substitute for a good eye.  Synthesizing a natural-appearing image from disparate elements is impossible without understanding the fundamental principles of photography and the behavior of light.

Two images of the famous crosswalk taken in April of this year; which one is real and which one was ‘Shopped? Click each for an enlargement.

In Digital Photography and Photoshop I, we’ll concentrate on techniques to ensure others will enjoy our images without bemoaning our clumsy use of either camera or software. Register now.

 

Copyright Heather Reid Kwok Photography

Images Copyright Heather Reid Kwok Photography

In July of 2006 I spent two weeks at the Digital Media Academy immersing myself in the world of digital photography and Photoshop. Since Photoshop was not the most intuitive software to me, I was glad for the hands on training to get a handle on the basic and more advanced editing tools that it provides.  The instructor knew his stuff!  He was able to show us how to achieve the same result using at least three different methods and explain which method he thought was best which helped me grasp just how much Photoshop had to offer.  It felt like drinking from a fire hose at times!  However by the end of the week, everything would start to come together and it was amazing to see how much I had learned in such a short time.

The courses were a great combination of out in the field shooting and in the classroom learning Photoshop.  I learned some valuable photography skills that helped me take better photos from the start and in the end saves me tons of time since getting the shot right the first time takes less time then trying to correct problems in Photoshop.  The small class size made it easy to get personal time with the instructor to ask my questions and learn what I was specifically looking to learn in these courses.

After two weeks I had gone from never using Photoshop to using Photoshop to edit all of my photos.  DMA’s courses allowed me to gain the skills and confidence to launch my photography business shortly thereafter.  Without the DMA course I never would have gotten my business off the ground and running so quickly.  Since the summer of 2006 my photography business has taken off thanks to DMA!    It’s the best investment of time and money that I’ve put into my business and I recommend these courses for any aspiring photography who is looking to lauch or take their photography business to the next level.

Adjusting the saturation and vibrancy of an image can vastly improve your image quality. This technique is especially helpful when you want to adjust the color in the entire image, however not such a good solution for selectively adjusting color in only parts of the image. Today we’ll show you how to improve your image quality using Apple’s Aperture.  

Making Selective Adjustments
Aperture provides an often overlooked tool which is great for making selective adjustments. The Dodge and Burn plugin and it can be found in the Images>Edit With> menu, seen below:

aperture_dodge_and_burn_menu_thumb
The Dodge and Burn plugin can be selected in the image menu.

 
It’s a lot like sending your image to an external editor except that it’s more tightly integrated with Aperture. The name Dodge and Burn comes from the darkroom technique of using a card to dodge (lighten) or burn (darken) select areas of a photo print while it is in the chemical bath to manipulate the exposure of the photograph. 

dodge_and_burn_menu_2
The great thing about the D&B plugin is that it not only allows you to adjust light/dark but a half-dozen other effects as well, including saturation.

The Dodge and Burn plugin in Aperture 2 allows you to do the same thing with your mouse, without subjecting yourself to noxious chemicals. After working with Dodge & Burn you’ll quickly learn how to manipulate the color saturation in certain areas of your image while leaving other areas in their natural state (or manipulating those areas in a different way). 

Color Correction
A friend of mine got married last year in Golden Gate Park, the setting in the park was was beautiful—the grass and trees were a vibrant green. I found that even though I had a fairly shallow depth of field that threw the background out of focus the vibrant color of the plants was distracting the eye from the important parts of the image (the bride and groom!).

To separate the bride and groom from the background, we need to reduce the saturation of the plants and people behind the subjects. Unfortunately you can’t simply reduce the saturation in the whole image because that will take away from the bride’s amazing gown. That’s where the Dodge and Burn plugin comes in…Using the Desaturate setting I ‘painted’ desaturation onto the background. This process took some time but the end results are great.

Before:

mukh_1_thumb wedding photo edit
Here the color is consistent throughout the image. We need to mute the background to make the foreground subjects pop.

 

After:

wedding photo edit 2
Now the bride and groom are the center of attention.

 
By applying the same effect to all your photos you’ll get a consistent look in all your photos—this can really tie an album together. Here’s one final example that has a similar look but was produced using a slightly different method. Instead of using the Dodge &Burn to desaturate the background in this photograph I first reduced the color by adjusting the saturation and vibrancy sliders in Aperture:

Before:

Before Editing Photo in Apeture

After:

After Editing the Photo in Apeture
This image was finished by using Dodge and Burn and using the ‘Saturate’ setting to add color back into the photograph—carefully painting the bride’s dress and the flower lei each is wearing.

 
The Wonderful World of Color
Color can bring your images to life in amazing ways. By spending some time with the Dodge and Burn you’ll find it can do some pretty interesting things to your photographs. By developing your skills you can learn to create great digital images. Photography is not only a great way to capture a moment but a great way to set a mood.

Aperture is available for download from the Apple Store for $79.99